One for importing and managing timelines of clips (Construct) and one for playing and adjusting those clips (Player). The installer is called SCRATCH, the icon is called SCRATCH but when you open it, you are greeted with the message that you’ve opened SCRATCH Play Pro.įollowing the structure of the tabbed workflow in SCRATCH, there are two tabs in SCRATCH Play Pro. When you download the installer it looks like it’s installing SCRATCH. There’s one thing to note when installing it, which confused me at first. Like all Assimilate SCRATCH products you can download a free trial to give it a go for yourself, before you lay out any cash. One you have a clip imported the Player tab is where the action is How to use Assimilate SCRATCH Pro Play for the first time Grab it before Apple decides to pull the Windows licensing when they figure out Resolve and Premiere Users are using it to replace ageing MacPros serving this transcoding duty.Īt $20/month SCRATCH Play Pro is an additional expense if you’re just using it to view your files, but if you think of it more like SCRATCH Encoder Pro then it’s pretty much a bargain, especially given the quality of the outputs Assimilate say they can deliver for Pro Res, H.264 and H.265 files. A powerful, inexpensive professional media player that serves as an introduction to the Scratch universe. Here’s how colorist and Mixing Light Founder, Patrick Inhofer described it in his most recent newsletter (which you should sign up for – it’s free!)īrilliant. Of all of these features the Pro Res on Windows encoding seems to be getting the most attention. Export HDR-report, DIT-report, ALE, LUTs (in all sizes and depths) and CDLs.Encode H.265 with a licensed encoder from BeamR, in up to 12-bit.Encode high quality, low file-size H.264 renders in up to 8K resolution and 10-bit.Render out true Apple licensed Pro Res files on Windows PC.Play almost any camera file format, including raw files.SCRATCH Play Pro is essentially a stripped down version of the hugely featured Assimilate SCRATCH 9 ( check out my beginner’s guide to that, here) which means if you’re familiar with SCRATCH you’ll be right at home, or if not by using Play Pro you’ve got a foothold in the other direction.Ĭheck out the short video above to get a succinct overview of how powerful this Player really is. Regardless of their origin, these tools might help you get your work done with much less hassle, time and headaches and hopefully get you home sooner! Assimilate SCRATCH Play Pro This article includes the following apps: Some of these I’ve tried and tested myself, others I’ve come across online and tucked away for the future, others have gotten in touch through the blog. In this post I’ve brought together a collection of tools that I think will be of real benefit to editors, colorists and DITs working on all kinds of projects. Not only do you have to stay up to date with at least one video editing software’s core capabilities you also need to keep a mental Swiss army knife of applications to hand, to tackle various parts of your post production workflow. Useful timesaving plugins for Adobe Premiere and FCPXĪs a film editor having access to all of the best tools to make your post production life easier can be a daunting task.Essential tools for film editors, colorists and DITs.To help you get started, the developers provide online video tutorials covering most of the app’s features.Īll in all, if you’re working with a large Final Cut Pro X library, the Final Cut Library Manager lets you track and manage all of your libraries without having to deal with complicated tools.Vital Post Production Tools for Post Pros Of course, Final Cut Library Manager also includes a powerful search tool to help you find specific items more easily: you can search for item/event/library names, but it can also filter notes or comments related to media files. Efficient management solution for Final Cut Pro X libraries Final Cut Library Manager will make sure the source files are still available, and Final Cut Pro X will automatically generate them when you need them. To regain storage space, you can decide to delete optimized media files, optical flow data, proxies, or render files. Additionally, you can choose to toggle the visibility of library items, cache files, external media folders, external media items, and more. ![]() In the main Final Cut Library Manager window, you can change the order of libraries by applying various filters: Size, Last Modified, or Potential Space Savings. Filter, sort, clean and access your Final Cut Pro X library in a simplified way The Final Cut Library Manager will preserve media files grouped into libraries, allow you to see their location, and provide a wealth of information in each case: whether the media file is external or internal, file size and duration, images size etc.
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